Songwriters in Seattle

Tag: guitar pickups

  • DIY Blues, Pt. 3: Touched For The Very First Time

    There is plenty of information about guitar repair on the internet, not all of it great (the article you are currently reading comes to mind). However, there are at least a few useful resources that will help you troubleshoot and provide a good overview of basic repairs.

    The following “Instructable”, written by an enterprising 15-year-old, provides a fairly detailed, step-by-step approach to replacing pickups: Replacing the Pickups in Your Guitar

    For a good troubleshooting guide, visit www.fretnotguitarrepair.com.

    (If you know of any other good sites and/or videos, please share in the comment section below.)

     

    I probably should have checked out some of this information before beginning my own repair efforts. However, I believe very strongly in learning from my mistakes. Hopefully I can help others avoid the same pitfalls. To recap: I’ve decided to replace my standard issue Epiphone Les Paul pickup with a used DiMarzio 159 and have totally wimped out on paying for a new set of tuners, opting to try my luck finding a replacement for the sole missing tuner (oriented to the bass side – Anyone? Anyone?)

     

    Taking my thriftiness to an absurd level, I decide to use an ancient solder belonging to my grandfather (and likely his grandfather before him, by the looks of it). The tip is huge; probably used to solder components in big mainframe, room consuming computers, as depicted in movies from the Seventies and earlier. (See The Computer Wore Tennis Shoes). This should make things interesting. (Mistake #1?)

     

     

     

     

     

     

     

     

    I decide to replace my neck pickup, since it’s already come loose due to a missing screw. This, even though I recall hearing the salesman say this particular DiMarzio is a bridge pickup. I guess there’s a difference? (Mistake #2?)

     

    Cracking open the back panel of my guitar with a crowbar (just kidding…but it’s probably a bit believable at this point). I find that things are not as complicated as I had feared. There are two potentiometers (“pot”, from here out) for each pickup and a mass of wires leading off to the bridge selector switch. (This separation of powers, as opposed to those outlined in the U.S. Constitution, appears to be a good thing, as the wiring looks really messy up behind the selector switch panel.)

     

     

     

     

     

     

     

     

    My old pickup has two wires: one soldered to the top of one pot, the other soldered to the base of the same. My new pickup, however, has four wires (see pic: black, red, green and white/black). At the risk of losing my momentum and motivation, I decide to throw caution to the wind and attach the black/white wires to the top pot and the green wire to the base and let the red and black hang loose. (Mistake #3?)

     

     

     

     

     

     

     

     

    Halfway through the process, I realize that soldering is not too difficult and actually pretty fun. It would have been even more so, were it not for the bulkiness of my iron. I find myself having to work extra hard not to burn through other wires and still manage to singe a couple in the process. (Mistake #4?)

     

     

     

     

     

     

     

     

    Moving on to my missing tuner, I channel my inner MacGyver, deciding to solder and glue together a few progressively smaller metal nuts. It certainly looks hardcore and kind-of, sort-of ends up working.

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

    Before restringing the guitar, I decide to test out my new pickup as best I can. I plug the Epiphone into my dinky Crate practice amp and tap lightly on the DiMarzio with my screwdriver (one tip I did read in advance). Success! My tapping is answered by a satisfying thud from the amp. Unfortunately, the same can not be said for my old bridge pickup. Nothing.

     

    Taking off the bridge pickup, I see that it is literally falling apart, perhaps having corroded somehow. I hope to make an easy switch out with my old neck pickup (mistake #5?), but notice that the wiring is a bit different this time. Instead of both wires connecting to the same pot, one pickup wire is attached to the volume pot and the other to the tone pot. Okay. Whatever. I decide to roll with it and mimic the same configuration.

     

     

     

     

     

     

     

     

    Plugging the guitar back in, I still don’t get any response from the bridge, so I decide to just go ahead and put new strings on (mistake #6?).

     

    Ready to shred with my new pickup, I plug in and strum an open E chord. I am met with lots of feedback, mixed with buzzing strings. Switching to the bridge pickup I get a whole lot of nothing, except buzzing strings. If I were in front of a live audience, I would definitely smash this guitar.

     

    Previously:

    DIY Blues, Pt 2: Something Busted, Something Used
    Faced with a mess of wires, an over sized soldering iron and no experience to his name, the author must install a used pickup of dubious quality while avoiding a catastrophic meltdown. But first, he seeks some assistance from the good folks at The Trading Musician.

     

  • DIY Blues, Pt. 2: Something Busted, Something Used

    So here’s my situation: I’ve got a beat up Epiphone Les Paul (muddy pickups that cut out, a missing tuning peg and buzzing strings) and don’t want to spend a fortune on repairs, let alone a new guitar.

    Inspired by the do it yourself (DIY) punk rock ethos detailed in the pages of Michael Azerrad’s Our Band Could Be Your Life (the latest stock market reports didn’t hurt, either), I decided to take matters into my own hands and set out about repairing it myself. (What’s the worst that could happen? It’s only electricity, darn it!) Keep in mind that I have no related experience and have been too timid to even crack open the paneling and look at the electronics inside.

    The first step, I decided, would be to pick out a new pickup. Naturally, I went to Guitar Center. When I told the sales associate I wanted something a bit brighter sounding, he suggested a Gibson Burstbucker II, for $129.99. Fair enough. However, I drew the line when I found that I’d have to drop around $70 for an entire set of new tuners.

    Leaving Guitar Center, I decided to be a bit more adventurous and visited The Trading Musician on Roosevelt Way, near the U-District. If its name was any indication, I figured they might have some miscellaneous individual tuning pegs that would do the trick for a more reasonable price. Calling ahead in advance confirmed my suspicions.

    Once there, I also discovered a treasure trove of new and used pickups; Seymour Duncan P-Rails and Pearly Gates floating to the top of the stack.

     

     

     

     

     

     

     

     

    However, since I had a gift certificate for $50, I decided to stay within those bounds for the time being and settled on a used DiMarzio 159, priced at $39.99 (which I later found online selling for closer to $100).

     

     

     

     

    Unfortunately, none of the tuning pegs were a match for my guitar. They had a ton of Gibson varietals which may have worked, but, alas, only one oriented for the bass side of the guitar. And that was a Gibson Deluxe; too fat to fit through the hole in the headstock.

    Returning home, fully armed, I realized that my work had only just begun. Many questions remained unanswered: Why, for example, did my new pickup have four wires protruding, when my old one only had two? What the heck was I gonna do about my missing tuning peg and the buzzing strings? And what in the world is this soldering thing all about?

    Up next:

    DIY Blues, Pt 3: Touched for the very first time

    I finally pull back the veil on my guitar and get the shock of a lifetime.

    Previously:

    DIY Blues, Pt 1: Reviving a dead guitar

    With nearly empty wallet, I set out to fix a seriously impaired guitar